In A Silent Way Miles Davis. In a Silent Way Miles Davis Amazon.de Musik Miles Davis - In A Silent Way ( Full Album )Tenor Saxophone - Wayne Shorter..Trumpet - Mil. It was hard to miss that In A Silent Way—especially the track "Shhh/Peaceful"—included repeated spliced sections, the same performance looped in post-production.While this idea seemed an anathema in the jazz world of 1969—even overdubbing was frowned on back then—this innovation predicted.
Miles Davis In A Silent Way (1987, Vinyl) Discogs from www.discogs.com
It was a tumultuous time as the sixties came to a close Miles Davis - In a Silent Way - 196901- Shhh / Peaceful02- In a Silent Way / It's about That TimeMiles Davis - trumpet, composerWayne Shorter - soprano saxop.
Miles Davis In A Silent Way (1987, Vinyl) Discogs
By logging into Apple Music, Deezer, or Spotify through this website, you agree to follow and receive news from Miles Davis and Sony Music Miles Davis In a Silent Way Columbia 1969 Recording in February 1969, Miles Davis seemed to pick up the vibe of what was going to go down that crazy summer Some covers have a subtitle "Directions In Music By Miles Davis" printed on front cover bottom right
Miles Davis in A Silent Way Album Cover Poster Wall Art, Miles Davis, in A Silent Way Etsy. In A Silent Way, released in 1969, marked a transitional moment, not only in Miles Davis's career but in the future development of jazz as a whole.Considered by many to be the first fusion recording, it also commenced the composer's most divisive phase - commonly referred to as his "Electric Period". Miles Davis In a Silent Way Columbia 1969 Recording in February 1969, Miles Davis seemed to pick up the vibe of what was going to go down that crazy summer
Miles Davis In a Silent Way CD. The album's most unconventional idea was its most controversial, at least with some critics It was hard to miss that In A Silent Way—especially the track "Shhh/Peaceful"—included repeated spliced sections, the same performance looped in post-production.While this idea seemed an anathema in the jazz world of 1969—even overdubbing was frowned on back then—this innovation predicted.